Lapkri\u010dio 11 d., 18 val.\u00a0 Jono Meko vizuali\u0173j\u0173 men\u0173 centre (JMVMC) (Gyn\u0117j\u0173 g. 14)\u00a0 atidaroma paroda \u201eRaktas \u012f men\u0105\u201c (\u201eKey to Art\u201c), skirta gerai \u017einomo Fluxus meno pradininko Jurgio Ma\u010di\u016bno 79-osioms gimimo metin\u0117ms pamin\u0117ti. Joje eksponuojamos kelios temin\u0117s pie\u0161ini\u0173, kolia\u017e\u0173, fotografij\u0173, objekt\u0173 serijos. Parod\u0105 organizuoja JMVMC ir Jono Meko fondas.<\/p>\n
Simboli\u0161k\u0105\u00a0 funkcij\u0105\u00a0parodoje atlieka Hollis Melton \u201eFluxus vestuvi\u0173\u201c fotografij\u0173 serija, kurioje u\u017efiksuotos improvizuotos Jurgio Ma\u010di\u016bno ir Billie Hutching vedybos, \u012fvykusios 1978 met\u0173 vasario 25 d. Niujorke, Jean Depuys\u2018o ir Olgos Adorno lofte, Broadway 537. Jurgis ir Billie sureng\u0117 savoti\u0161k\u0105 vedyb\u0173 vaidinim\u0105 \u2013 persirengimo \u201eapeigas\u201c(Jurgis vilk\u0117jo nuotakos drabu\u017eius, o\u00a0 Billie \u2013 juod\u0105 frak\u0105).<\/p>\n
Parodoje eksponuojama ir serija J.Ma\u010di\u016bno kolia\u017e\u0173 \u2013 pie\u0161ini\u0173, pavadint\u0173 \u201ePlates\u201c. Juose menininkas suman\u0117 vizualiu b\u016bdu i\u0161reik\u0161ti alternatyvi\u0105 kult\u016bros istorijos versij\u0105, kuri transformavosi \u012f savoti\u0161k\u0105 mokslini\u0173 ir estetini\u0173 form\u0173 mi\u0161in\u012f, kuris k\u0117l\u0117 problem\u0173 nusistov\u0117jusioms istorijos ra\u0161ymo (m\u0105stymo) kli\u0161\u0117ms.<\/p>\n
Atskir\u0105\u00a0 dal\u012f\u00a0sudaro Ma\u010di\u016bno bendra\u017eygi\u0173,\u00a0garsi\u0173 Fluxus atstov\u0173 k\u016briniai, objektai. Yoko Ono grafi\u0161k\u0173 pie\u0161ini\u0173 serija \u201eDo it yourself fluxfest\u201c (1966), taip pat Joseph Beuys, George Brecht, Nam June Paik, John Hendricks, Alison Knowles, Ben Vautier, Stan Vanderbeek, Ay-O, Paul Sharits, Gianni Emilio Simonetti, Daniel Spoerri ir kit\u0173 meninink\u0173 konceptual\u016bs pie\u0161iniai, kolia\u017eai, nuotraukos, siurrealizmo ir dadaizmo klest\u0117jimo laikus primenantys tekstai-geometrin\u0117s fig\u016bros, pavyzd\u017eiui: bendri John Cage, Dan Flawin, Paul Brach, H. Rosenberg ma\u0161inra\u0161\u010dio eksperimentai, erdvin\u0117 Chieko Shiomi poema Nr. 2 ar George Brechto vizualus politinis tekstas apie men\u0105 ir visuomen\u0119, instrukcijos Fluxus veiksmams, objektai\u00a0 \u2013 Yoko Ono \u201e\u0160ypsen\u0173 d\u0117\u017eut\u0117s\u201c, Robert Watts originali\u0173 pie\u0161tuk\u0173 su i\u0161graviruotais u\u017era\u0161ais kolekcija ar \u0161io menininko d\u0117\u017eut\u0117, pilna netikr\u0173 doleri\u0173 kupi\u016br\u0173. Tokie k\u016briniai ne tik sukuria savit\u0105 parodos atmosfer\u0105 ir fon\u0105 J.Ma\u010di\u016bno k\u016briniams, jo veiklai, bet ir bendrai\u00a0 papildo vis\u0105 ideologinio Fluxus performatyvumo panoram\u0105.<\/p>\n
Fluxus veiklos ir \u0161ios parodos alter ego gal\u0117t\u0173 b\u016bti ne\u012fvardinto autoriaus pie\u0161inys, kuriame matome tu\u0161\u010di\u0105 kvadrat\u0105 ir viet\u0105, palikt\u0105 para\u0161ui, tarsi kvie\u010diantis atsisakyti stereotip\u0173 ir kurti savo (meno) istorij\u0105.<\/p>\n
Parodos kuratorius \u2013 K\u0119stutis \u0160apoka.<\/p>\n","protected":false},"excerpt":{"rendered":"
Lapkri\u010dio 11 d., 18 val.\u00a0 Jono Meko vizuali\u0173j\u0173 men\u0173 centre (JMVMC) (Gyn\u0117j\u0173 g. 14)\u00a0 atidaroma paroda \u201eRaktas \u012f men\u0105\u201c (\u201eKey to Art\u201c), skirta gerai \u017einomo Fluxus meno pradininko Jurgio Ma\u010di\u016bno 79-osioms gimimo metin\u0117ms pamin\u0117ti. Joje eksponuojamos kelios temin\u0117s pie\u0161ini\u0173, kolia\u017e\u0173, fotografij\u0173, objekt\u0173 serijos. Parod\u0105 organizuoja JMVMC ir Jono Meko fondas. Simboli\u0161k\u0105\u00a0 funkcij\u0105\u00a0parodoje atlieka Hollis Melton […]<\/p>\n","protected":false},"author":2,"featured_media":1230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[6,8,13,18],"tags":[],"class_list":["post-1229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fluxus","category-george-maciunas","category-jurgis-maciunas","category-parodos"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"lt","enabled_languages":["en","lt"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"lt":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/1229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/comments?post=1229"}],"version-history":[{"count":0,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/1229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media\/1230"}],"wp:attachment":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media?parent=1229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/categories?post=1229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/tags?post=1229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}