{"id":2152,"date":"2016-11-15T14:08:03","date_gmt":"2016-11-15T12:08:03","guid":{"rendered":"http:\/\/mekas.lt\/?p=2152"},"modified":"2017-02-27T03:58:15","modified_gmt":"2017-02-27T01:58:15","slug":"2016-11-25-12-23-ramunas-paniulaitis-zym-zymas","status":"publish","type":"post","link":"https:\/\/mekas.lt\/lt\/2016\/11\/2016-11-25-12-23-ramunas-paniulaitis-zym-zymas\/","title":{"rendered":"2016 11 25  &#8211; 12 23. Ram\u016bnas Paniulaitis. \u017dYM \u017dYMAS"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #ff6600;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-2153\" src=\"https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m-201x300.jpg?resize=242%2C361\" alt=\"15ramunas-paniulaitis-apie-1981-m\" width=\"242\" height=\"361\" srcset=\"https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m.jpg?resize=201%2C300&amp;ssl=1 201w, https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m.jpg?resize=686%2C1024&amp;ssl=1 686w, https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m.jpg?resize=768%2C1146&amp;ssl=1 768w, https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/15Ramunas-Paniulaitis-apie-1981-m.jpg?w=840&amp;ssl=1 840w\" sizes=\"(max-width: 242px) 100vw, 242px\" data-recalc-dims=\"1\" \/>2<\/span><span style=\"color: #ff6600;\">016 m. lapkri\u010dio 25 d. 18 val. Jono Meko vizuali\u0173j\u0173 men\u0173 centras pristato vieno pirm\u0173j\u0173 Lietuvoje konceptualisto Ram\u016bno Paniulai\u010dio (1957\u22121982) k\u016brybos retrospektyv\u0105.<\/span> Tai yra antroji Paniulai\u010dio k\u016brybos paroda. Pirmoji \u012fvyko 1981 metais Vilniaus vakarin\u0117je suaugusi\u0173j\u0173 dail\u0117s mokykloje, kartu su \u010ceslovu Lukensku. Po menininko mirties, beveik keturioms de\u0161imtims met\u0173 jo k\u016bryba buvo i\u0161nykusi i\u0161 regos lauko.<\/p>\n<p style=\"text-align: justify;\">I\u0161liko vir\u0161 \u0161imto Paniulai\u010dio kurt\u0173 kolia\u017e\u0173 ir keletas pie\u0161ini\u0173 tu\u0161u. Paniulaitis i\u0161vyst\u0117 \u201ekarpymo\u201c (buvo baig\u0119s kirp\u0117j\u0173 kursus) ir kolia\u017e\u0173 klijavimo kaip savitos performatyvios ideologijos koncepcij\u0105. Neretai menininkas netgi \u201ekomponuodavo\u201c atsitiktiniu b\u016bdu, arba si\u016blydavo kokias nors detales komponuoti, klijuoti ar nubrai\u017eyti draugams, pa\u017e\u012fstamiems. Menininkas s\u0105moningai prad\u0117jo dirbti su \u201eantrine\u201c med\u017eiaga \u2013 i\u0161karpomis, reprodukcijomis ir neretai jo \u201einvazijos\u201c \u012f \u0161i\u0105 med\u017eiag\u0105 b\u016bdavo minimalios \u2013 koks nors nedidelis br\u016bk\u0161nelis, apskritimas ar kokios detal\u0117s apved\u017eiojimas raudonu tu\u0161inuku. Kartais u\u017etekdavo tik kokio meno \u0161edevro (reprodukcijos) pasisavinimo fakto \u2013 tikrojo autoriaus pavard\u0117s u\u017ebraukimo ir savo para\u0161o. Galop, menininkas taip radikalizavo pasisavinimo strategij\u0105, jog gal\u0117jo priskirti savo autoryst\u0119 bet kokiems objektams, socialiniams ir kult\u016briniams rei\u0161kiniams \u2013 bet kam.<\/p>\n<p style=\"text-align: justify;\">Paniulaitis, galima sakyti, beveik intuityviai \u2212 tur\u0117damas tik trupinius informacijos apie aktualius meno procesus u\u017e gele\u017ein\u0117s u\u017edangos \u2212 i\u0161vyst\u0117 tokias k\u016brybos formas, kurios tapo \u201ekonceptualaus l\u016b\u017eio\u201c Vilniaus mene XX a. 9-jo de\u0161imtme\u010dio prad\u017eioje, dalimi.\u00a0 Galima sakyti, jog \u0161is l\u016b\u017eis buvo globalesni\u0173 avangardo proces\u0173, vykusi\u0173 Vakar\u0173 ir Ryt\u0173 Europos (tame tarpe ir pogrindiniame Soviet\u0173 s\u0105jungos) mene XX a. 7-8 de\u0161imtme\u010diais, atgarsis. Ta\u010diau toks, i\u0161 kurio v\u0117liau \u012fsi\u017eieb\u0117 S\u0105j\u016bd\u017eio epochos meninio avangardo banga.<\/p>\n<p style=\"text-align: justify;\">\u0160ia prasme, Paniulai\u010dio kolia\u017eai ir tik atsiminimuose i\u0161lik\u0119s \u201eakcionizmas\u201c, kartu su keleto to meto meninink\u0173 eksperimentais, \u201esocialinio peiza\u017eo\u201c fotografijoje atstov\u0173 id\u0117jomis, nors ir retrospektyviai, ta\u010diau vis d\u0117lto tur\u0117t\u0173 u\u017eimti svarbi\u0105 viet\u0105 m\u016bs\u0173 meno \u201ekonceptualaus pos\u016bkio\u201c istorijoje.<\/p>\n<p style=\"text-align: justify;\">Parod\u0105 lydi knyga apie Ram\u016bn\u0105 Paniulait\u012f, kurioje surinkti draug\u0173 ir menininko sesers atsiminimai, taip pat reprodukuojami i\u0161lik\u0119 kolia\u017eai.<\/p>\n<p style=\"text-align: justify;\">Projekto kuratoriai \u2013 \u010ceslovas Lukenskas ir K\u0119stutis \u0160apoka. Projekto partneris \u2013 Vilniaus dail\u0117s akademija.<\/p>\n<p style=\"text-align: justify;\">D\u0117kojame Violetai Pospielovai, Gintarui Zinkevi\u010diui, Gabrieliui Luko\u0161iui, Algimantui J. Kurui, \u010ceslovui ir R\u016btai Lukenskams u\u017e nuotraukas ir atsiminimus.<\/p>\n<p style=\"text-align: justify;\">Parod\u0105 remia: Lietuvos kult\u016bros taryba.<\/p>\n<p style=\"text-align: justify;\">* tai buvo m\u0117gstamas Ram\u016bno Paniulai\u010dio posakis, norint i\u0161reik\u0161ti susir\u016bpinim\u0105, depresyvum\u0105, \u201eu\u017esiparinim\u0105\u201c.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2016 m. lapkri\u010dio 25 d. 18 val. Jono Meko vizuali\u0173j\u0173 men\u0173 centras pristato vieno pirm\u0173j\u0173 Lietuvoje konceptualisto Ram\u016bno Paniulai\u010dio (1957\u22121982) k\u016brybos retrospektyv\u0105. Tai yra antroji Paniulai\u010dio k\u016brybos paroda. Pirmoji \u012fvyko 1981 metais Vilniaus vakarin\u0117je suaugusi\u0173j\u0173 dail\u0117s mokykloje, kartu su \u010ceslovu Lukensku. Po menininko mirties, beveik keturioms de\u0161imtims met\u0173 jo k\u016bryba buvo i\u0161nykusi i\u0161 regos lauko. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false},"categories":[18,1],"tags":[],"translation":{"provider":"WPGlobus","version":"2.10.6","language":"lt","enabled_languages":["en","lt"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"lt":{"title":true,"content":true,"excerpt":false}}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2016\/11\/Zym-Zymas.jpg?fit=1000%2C800&ssl=1","_links":{"self":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2152"}],"collection":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/comments?post=2152"}],"version-history":[{"count":16,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2152\/revisions"}],"predecessor-version":[{"id":2544,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2152\/revisions\/2544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media\/2174"}],"wp:attachment":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media?parent=2152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/categories?post=2152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/tags?post=2152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}