{"id":2587,"date":"2017-05-02T09:12:32","date_gmt":"2017-05-02T07:12:32","guid":{"rendered":"http:\/\/mekas.lt\/?p=2587"},"modified":"2017-05-23T13:24:29","modified_gmt":"2017-05-23T11:24:29","slug":"2017-05-04-%e2%80%92-05-20-danas-aleksa-43h","status":"publish","type":"post","link":"https:\/\/mekas.lt\/lt\/2017\/05\/2017-05-04-%e2%80%92-05-20-danas-aleksa-43h\/","title":{"rendered":"2017 05 04 \u2012 06 03. Danas Aleksa: 43H"},"content":{"rendered":"

43H \u2013 tai mano vieta l\u0117ktuve.<\/span> I\u0161 vienos pus\u0117s tai labai konkreti koordinat\u0117, nurodanti mano pad\u0117t\u012f salone. Ta\u010diau l\u0117ktuvui pakilus \u012f auk\u0161\u010diausi\u0105 skryd\u017eio trajektorijos ta\u0161k\u0105, erdv\u0117s suvokimo poj\u016btis kinta. U\u017e\u00a0 lango tvyranti berib\u0117 erdv\u0117 neturi jokio konkretaus atspirties ta\u0161ko, leid\u017eian\u010dio s\u0105monei susikurti savo koordina\u010di\u0173 sistem\u0105. Tokiomis aplinkyb\u0117mis atstumas tampa abstrak\u010dia s\u0105voka. 43H koordinat\u0117 netenka savo X, Y, Z a\u0161i\u0173.<\/p>\n

Parodoje jungiu kelet\u0105 anks\u010diau rodyt\u0173 ir vien\u0105 nauj\u0105 darb\u0105. Visus \u0161iuos k\u016brinius vienija k\u016bno ir erdv\u0117s santyk\u012f nagrin\u0117jantis naratyvas. Mechanikoje terminas trajektorija<\/em> rei\u0161kia realaus objekto keli\u0105 erdv\u0117je. Kai k\u016bno poslinkiai per vienodus laiko tarpus yra vienodi \u2013 toks jud\u0117jimas vadinamas tolygiu tiesiaeigiu. Tokio jud\u0117jimo trajektorija yra ties\u0117. Realiomis s\u0105lygomis k\u016bnas yra veikiamas \u012fvairi\u0173 j\u0117g\u0173, tod\u0117l jud\u0117jimas tiesia trajektorija \u012fmanomas tik teori\u0161kai.<\/p>\n

Danas Aleksa<\/p>\n

\"\"<\/p>\n

Danas Aleksa<\/strong><\/span>\u00a0\u2013 skulptorius, objekt\u0173, instaliacij\u0173 ir performans\u0173 k\u016br\u0117jas, nors visi \u0161ie sandai jo k\u016bryboje da\u017enai persipyn\u0119. Persipyn\u0119 tiek formaliai, tiek id\u0117ji\u0161kai. Da\u017enas Aleksos skulpt\u016brinis objektas socialus arba yra \u201eu\u017ebaigiamas\u201c socialin\u0117je plotm\u0117je, o tai implikuoja ir specifin\u012f performatyvum\u0105. Kita vertus, ne vienas Dano Aleksos \u201eperformansas\u201c yra tarsi \u201esocialinis objektas\u201c \u2012 situacija, kurioje keliami menininko socialinio statuso, tapatumo, institucinio konteksto klausimai. Taigi, galima sakyti, jog menininkas da\u017enai tyrin\u0117ja t\u0105 \u201eatstum\u0105\u201c, kuris yra ar kuris susiformuoja tarp jo, kaip sociokult\u016brinio k\u016bno\/subjekto ir meno (veiksmo), kaip sociokult\u016brinio objekto. Arba prie\u0161ingai. Tai, kuo (ne)u\u017epildomas tas atstumas ir yra (ne)jungiamoji Aleksos performatyvi\u0173\u00a0menini\u0173 praktik\u0173 turinys, id\u0117ja.<\/p>\n

JMVMC centre rengiamame projekte Danas Aleksa taip pat i\u0161 dalies maskuoja po formalizmu, nors i\u0161 ties\u0173, gilinasi \u012f menininko socialines (k\u016bno) trajektorijas, pad\u0117tis ir status\u0105, formuodamas\u00a0 miniretrospektyv\u0105 su nauj\u0173 k\u016brini\u0173 inkliuzais.<\/p>\n

\"\" \"\" \"\"\u00a0\"\" \"\" \"\" \"\" \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

43H \u2013 tai mano vieta l\u0117ktuve. I\u0161 vienos pus\u0117s tai labai konkreti koordinat\u0117, nurodanti mano pad\u0117t\u012f salone. Ta\u010diau l\u0117ktuvui pakilus \u012f auk\u0161\u010diausi\u0105 skryd\u017eio trajektorijos ta\u0161k\u0105, erdv\u0117s suvokimo poj\u016btis kinta. U\u017e\u00a0 lango tvyranti berib\u0117 erdv\u0117 neturi jokio konkretaus atspirties ta\u0161ko, leid\u017eian\u010dio s\u0105monei susikurti savo koordina\u010di\u0173 sistem\u0105. Tokiomis aplinkyb\u0117mis atstumas tampa abstrak\u010dia s\u0105voka. 43H koordinat\u0117 netenka savo […]<\/p>\n","protected":false},"author":2,"featured_media":2594,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false},"categories":[5],"tags":[],"translation":{"provider":"WPGlobus","version":"2.10.6","language":"lt","enabled_languages":["en","lt"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"lt":{"title":true,"content":true,"excerpt":false}}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/mekas.lt\/www\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-03-at-10.04.46.png?fit=1067%2C966&ssl=1","_links":{"self":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2587"}],"collection":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/comments?post=2587"}],"version-history":[{"count":7,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2587\/revisions"}],"predecessor-version":[{"id":2608,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2587\/revisions\/2608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media\/2594"}],"wp:attachment":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media?parent=2587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/categories?post=2587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/tags?post=2587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}