{"id":2599,"date":"2017-05-23T12:57:17","date_gmt":"2017-05-23T10:57:17","guid":{"rendered":"http:\/\/mekas.lt\/?p=2599"},"modified":"2021-02-25T14:46:20","modified_gmt":"2021-02-25T11:46:20","slug":"2017-05-25-danas-aleksa-pasivaiksciojimas-su-menininku","status":"publish","type":"post","link":"https:\/\/mekas.lt\/lt\/2017\/05\/2017-05-25-danas-aleksa-pasivaiksciojimas-su-menininku\/","title":{"rendered":"2017 05 25 17 val. Danas Aleksa: Pasivaik\u0161\u010diojimas su menininku"},"content":{"rendered":"

\"\"<\/p>\n

JMVMC 2017 05 04 \u2012 05 20<\/p>\n

43H \u2013 tai mano vieta l\u0117ktuve. I\u0161 vienos pus\u0117s tai labai konkreti koordinat\u0117, nurodanti mano
\npad\u0117t\u012f salone. Ta\u010diau l\u0117ktuvui pakilus \u012f auk\u0161\u010diausi\u0105 skryd\u017eio trajektorijos ta\u0161k\u0105, erdv\u0117s suvokimo
\npoj\u016btis kinta. U\u017e lango tvyranti berib\u0117 erdv\u0117 neturi jokio konkretaus atspirties ta\u0161ko, leid\u017eian\u010dio
\ns\u0105monei susikurti savo koordina\u010di\u0173 sistem\u0105. Tokiomis aplinkyb\u0117mis atstumas tampa abstrak\u010dia
\ns\u0105voka. 43H koordinat\u0117 netenka savo X, Y, Z a\u0161i\u0173.
\nParodoje jungiu kelet\u0105 anks\u010diau rodyt\u0173 ir vien\u0105 nauj\u0105 darb\u0105. Visus \u0161iuos k\u016brinius vienija
\nk\u016bno ir erdv\u0117s santyk\u012f nagrin\u0117jantis naratyvas. Mechanikoje terminas trajektorija rei\u0161kia realaus
\nobjekto keli\u0105 erdv\u0117je. Kai k\u016bno poslinkiai per vienodus laiko tarpus yra vienodi \u2013 toks jud\u0117jimas
\nvadinamas tolygiu tiesiaeigiu. Tokio jud\u0117jimo trajektorija yra ties\u0117. Realiomis s\u0105lygomis k\u016bnas yra
\nveikiamas \u012fvairi\u0173 j\u0117g\u0173, tod\u0117l jud\u0117jimas tiesia trajektorija \u012fmanomas tik teori\u0161kai.
\nDanas Aleksa<\/p>\n

Danas Aleksa \u2013 skulptorius, objekt\u0173, instaliacij\u0173 ir performans\u0173 k\u016br\u0117jas, nors visi \u0161ie sandai
\njo k\u016bryboje da\u017enai persipyn\u0119. Persipyn\u0119 tiek formaliai, tiek id\u0117ji\u0161kai. Da\u017enas Aleksos skulpt\u016brinis
\nobjektas socialus arba yra \u201eu\u017ebaigiamas\u201c socialin\u0117je plotm\u0117je, o tai implikuoja ir specifin\u012f
\nperformatyvum\u0105. Kita vertus, ne vienas Dano Aleksos \u201eperformansas\u201c yra tarsi \u201esocialinis
\nobjektas\u201c \u2012 situacija, kurioje keliami menininko socialinio statuso, tapatumo, institucinio konteksto
\nklausimai. Taigi, galima sakyti, jog menininkas da\u017enai tyrin\u0117ja t\u0105 \u201eatstum\u0105\u201c, kuris yra ar kuris
\nsusiformuoja tarp jo, kaip sociokult\u016brinio k\u016bno\/subjekto ir meno (veiksmo), kaip sociokult\u016brinio
\nobjekto. Arba prie\u0161ingai. Tai, kuo (ne)u\u017epildomas tas atstumas ir yra (ne)jungiamoji Aleksos
\nperformatyvi\u0173 menini\u0173 praktik\u0173 turinys, id\u0117ja.
\nJMVMC centre rengiamame projekte Danas Aleksa taip pat i\u0161 dalies maskuoja po
\nformalizmu, nors i\u0161 ties\u0173, gilinasi \u012f menininko socialines (k\u016bno) trajektorijas, pad\u0117tis ir status\u0105,
\nformuodamas miniretrospektyv\u0105 su nauj\u0173 k\u016brini\u0173 inkliuzais.<\/p>\n","protected":false},"excerpt":{"rendered":"

JMVMC 2017 05 04 \u2012 05 20 43H \u2013 tai mano vieta l\u0117ktuve. I\u0161 vienos pus\u0117s tai labai konkreti koordinat\u0117, nurodanti mano pad\u0117t\u012f salone. Ta\u010diau l\u0117ktuvui pakilus \u012f auk\u0161\u010diausi\u0105 skryd\u017eio trajektorijos ta\u0161k\u0105, erdv\u0117s suvokimo poj\u016btis kinta. U\u017e lango tvyranti berib\u0117 erdv\u0117 neturi jokio konkretaus atspirties ta\u0161ko, leid\u017eian\u010dio s\u0105monei susikurti savo koordina\u010di\u0173 sistem\u0105. Tokiomis aplinkyb\u0117mis atstumas […]<\/p>\n","protected":false},"author":2,"featured_media":2600,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"translation":{"provider":"WPGlobus","version":"3.0.3","language":"lt","enabled_languages":["en","lt"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"lt":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/comments?post=2599"}],"version-history":[{"count":6,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2599\/revisions"}],"predecessor-version":[{"id":4624,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/2599\/revisions\/4624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media\/2600"}],"wp:attachment":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media?parent=2599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/categories?post=2599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/tags?post=2599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}