{"id":3756,"date":"2019-09-13T10:49:44","date_gmt":"2019-09-13T07:49:44","guid":{"rendered":"http:\/\/mekas.lt\/?p=3756"},"modified":"2019-10-24T12:07:12","modified_gmt":"2019-10-24T09:07:12","slug":"2019-09-25-antanas-zabielavicius-pievu-miltai","status":"publish","type":"post","link":"https:\/\/mekas.lt\/lt\/2019\/09\/2019-09-25-antanas-zabielavicius-pievu-miltai\/","title":{"rendered":"2019 09 26-11 09. Antanas Zabielavi\u010dius „Piev\u0173 miltai”"},"content":{"rendered":"

\"\"<\/p>\n

Antanas Zabielavi\u010dius<\/p>\n

Piev\u0173 miltai<\/strong><\/p>\n

Vienas paslaptingiausi\u0173 lietuvi\u0173 \u0161iuolaikini\u0173 meninink\u0173 Antanas Zabielavi\u010dius pristato savo k\u016brybos ( \u2e27 1996 \u2e27 2019 m.) darb\u0173 rinktin\u0119. Menininkas intensyviausiai k\u016br\u0117 apytikriai 1995\u20122004 m. Pl\u0117todamas vadinamojo konceptualizmo tradicijas buvo tap\u0119s vienu savo kartos lyderi\u0173. 2004 metais A. Zabielavi\u010dius pasitrauk\u0117 i\u0161 vie\u0161o parodinio gyvenimo, ta\u010diau k\u016brybos neatsisak\u0117. Tikrov\u0117, gyvenimi\u0161kos situacijos da\u017enai padiktuodavo ir i\u0161grynindavo vien\u0105 ar kit\u0105 id\u0117j\u0105, kuri \u012fgaudavo kalbin\u012f-virtual\u0173 arba labiau ap\u010diuopiam\u0105 material\u0173 pavidalus. Tod\u0117l menininko k\u016brybin\u0119 veikl\u0105 galima b\u016bt\u0173 vadinti procesu, nes, viena vertus, k\u016brybiniai objektai atsiranda i\u0161 aplinkos ir situacij\u0173, metafori\u0161kai (pra)t\u0119sia vienas kit\u0105, tarsi komentuodami ir paties menininko gyvenim\u0105. Kita vertus, kiekvienas (ne)u\u017efiksuotas ir\/ar (ne)\u012fk\u016bnytas veiksmas, mintis, \u017eodis, objektas gali b\u016bti suvokiami ir kaip u\u017ebaigti, savaranki\u0161ki dariniai.   <\/p>\n

Antano Zabielavi\u010diaus rinktin\u0119 sudaro aktyviausiojo ankstyvojo periodo darbai, kuriuos i\u0161 dalies galima netgi vadinti kultiniais. Kartu menininkas eksponuoja proceso darinius, atsiradusius jau pasitraukus i\u0161 vie\u0161o parodinio gyvenimo, taigi, pateikia savoti\u0161k\u0105 iki \u0161iol ne\u017einomos (ar \u017einomos siauram ratui artim\u0173j\u0173) k\u016brybos genez\u0119.<\/p>\n

\u0160is projektas, kuriame jungiami archyvin\u0117s parodos ir autorinio projekto elementai \u2012 gera proga prisiminti ir\/arba pa\u017einti i\u0161 naujo original\u0173 meninink\u0105, prisiminti antrosios nepriklausomyb\u0117s savit\u0105 konceptualizmo at\u0161ak\u0105. Joje derinamas intelektualumas su emocionalumu, be to, \u0161i (at)\u0161aka, pasirodo, nesul\u016b\u017eo, nedingo, o ilgokai pl\u0117tojosi savaranki\u0161kai, vietinio institucinio \u0161iuolaikinio meno proces\u0173 \u0161e\u0161\u0117lyje. Tod\u0117l \u0161i\u0105 (at)\u0161ak\u0105, \u0161\u012f menininko sugr\u012f\u017eim\u0105 \u012f vie\u0161\u0105 parod\u0173 erdv\u0119, \u0161iandien galime traktuoti ir kaip m\u016bs\u0173 \u0161iuolaikinio meno oficiali\u0173 \u201estrategij\u0173\u201c netik\u0117t\u0105 komentar\u0105. <\/p>\n

Parodos atidarymas: Rugs\u0117jo 26 d. 18 val. JMVMC, Mal\u016bn\u0173 g. 8<\/p>\n

R\u0117m\u0117jas: Lietuvos kult\u016bros taryba.<\/p>\n","protected":false},"excerpt":{"rendered":"

Antanas Zabielavi\u010dius Piev\u0173 miltai Vienas paslaptingiausi\u0173 lietuvi\u0173 \u0161iuolaikini\u0173 meninink\u0173 Antanas Zabielavi\u010dius pristato savo k\u016brybos ( \u2e27 1996 \u2e27 2019 m.) darb\u0173 rinktin\u0119. Menininkas intensyviausiai k\u016br\u0117 apytikriai 1995\u20122004 m. Pl\u0117todamas vadinamojo konceptualizmo tradicijas buvo tap\u0119s vienu savo kartos lyderi\u0173. 2004 metais A. Zabielavi\u010dius pasitrauk\u0117 i\u0161 vie\u0161o parodinio gyvenimo, ta\u010diau k\u016brybos neatsisak\u0117. Tikrov\u0117, gyvenimi\u0161kos situacijos da\u017enai padiktuodavo […]<\/p>\n","protected":false},"author":2,"featured_media":3819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[5,18,1],"tags":[],"class_list":["post-3756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-parodos","category-uncategorized"],"translation":{"provider":"WPGlobus","version":"3.0.3","language":"lt","enabled_languages":["en","lt"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"lt":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/3756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/comments?post=3756"}],"version-history":[{"count":9,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/3756\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/posts\/3756\/revisions\/3760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media\/3819"}],"wp:attachment":[{"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/media?parent=3756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/categories?post=3756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mekas.lt\/lt\/wp-json\/wp\/v2\/tags?post=3756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}